All Posts in education

August 31, 2018 - Comments Off on sensei

sensei

se. xxii

wish you were back to school too, chum?

 

SEE
Camden Arts Centre currently has a whopping TWO shows not to be missed (rare to get so much goodness under the same roof in one go) so head down before mid-Sept to catch ‘em. Photographer Peter Fraser’s show Mathematics does an ace job of getting your brain to wander using still images, and kinetic artist Yuko Mohri brings you into her rhythmic Rube Goldberg world using clever mechanical tricks-n-treats.

Hayward is back in full swing now, their second exhibition since the revamp will be the group show Space Shifters, opening late September and with the intention of messing with your perception of space. It features work by Anish Kapoor, Yayoi Kusama and (a personal favourite) Daniel Steegman Mangrané, so you’re guaranteed to get your visual-spatial muscles suitably tripped out. sensei highly hopes it will be better curated than the Lee Bul show, where the work of a talented-beyond-words performance artist felt shrunken down to a blank museum corpse. Sorry, Southbank.

TOUCH

Uber awesome creative director Es Devlin has got her installation ‘Mask’ up in Somerset House until 23rd September, well worth the viz. The South-East London-based stage designer has pulled out her immersive stops for the likes of Ye, Jay-Z, Louis Vuitton, The Weeknd and The Brits. Are the Brits even cool? Dunno, but her film superimposed on sculpture superinvolved in installation bloody is. CHEKKIT.

HEAR
You might think the third floor of Selfridge’s is only home to mens’ ties that each cost more than a month’s rent, but until 6th Sept you’ll find the installation Super Sharp Reloaded squatting there instead. Curated by Tory Turk and co-conceived by Saul Milton, the show is the first instalment of a series of exhibitions called RTRN II JUNGLE, all about looking at the style in the UK garage and Jungle music scenes - in particular the appropriation of Italian luxury labels like Versace, Moschino and D&G.

In other news, Eleven Pond’s 1986 album Bas Relief has been dominating my Spotify, I suggest you melt your ear hairs over the Bedroom Mix of Watching Trees, too.

 

SMELL

Getcho nose OUTTA the sand with the Open City Documentary Festival running over at the ICA from 4-9th September. If you, like me, are always lamenting this image-saturated world we live in, and blaming it for our generation feeling like “we’ve seen it all before”, then perhaps you, like me, will find a glimmer of hope in this fiesta of creative documentaries. They’re (about 70%) sure to throw up something we’ll feel slightly less desensitised to. Plus, I spy John Malkovich.

TASTE
Have been bleeding my eyes dry watching the IG stories from @tastecadets, featuring People Just Do Nothing’s Allan (there = Grindah, here = Seapa), Kieran and Marcus caning round London on Mobikes, working up appetites on Welsh campsites and getting serious sustenance from places like O.ppa in Richmond, where the Korean BBQ looks more legit than Elle Woods’ perm-related cross-examination.

For more DIY BBQ delights I’ve got some recos in from someone actually Korean - she makes kimchi in paddling pools using cabbages in the multiples of 24. Put that in your pipe and ferment it. To find the finest in Central head to Olle in Shaftesbury Ave, but if you’re after London’s top top Korean BBQ offering, head to Jin Go Gae down in New Malden.

@larabaxter

July 30, 2018 - Comments Off on Creative Stories From Cannes – The Roundups Roundup

Creative Stories From Cannes – The Roundups Roundup

So, you missed Cannes AND Creative Social’s Cannes round up? Fear not, here’s a write up of Creative Social’s round up.

Creative Social held their 5th annual ‘Creative Stories … from Cannes’ (previously Mini Cannes) on 18th July. Partnering with audio network and The IPA, they brought together a whole host of Cannes speakers to talk about the trends and tips from this year’s festival.

A rather blurry image from Scarlett and Charlotte’s talk

BRAND PURPOSE

First up on the agenda was the role of brand purpose. And buzzwords they most certainly are not. Charlotte Cramer (Strategy Consultant, Co-Founder of CRACK+CIDER, and Author of Be Bad, Do Good) and Scarlett Montenaro (Creative, 18 Feet and Rising, and Co-Founder of CRACK+CIDER) teamed up again for ‘Advertise Like You Give A Damn’ (www.alygad.com), urging the industry to reconsider effectiveness. They argued that effectiveness isn’t effective when it’s largely based on ROI. Return on Investment may sound like a pretty solid measure, but it fails to consider real social impact. Take makeup brands, according to their ROI they’re performing well but where is the consideration of impact on young girls’ confidence? Advertising is not doing enough. The pair called out industry bodies, arguing that they need to set horizons further. Awards for positive impact need to be given on a longer-term basis, not for work based on a short annual cycle.


Jung von Matt AG for Edeka, The Most German Supermarket

Some of the biggest winners at Cannes were purpose-driven – from Edeka’s ‘The Most German Supermarket’ (picked by Charlotte Williams, Director of Content at Cannes Lions) to Carling Black Label’s ‘Soccer Song For Change’ by Ogilvy Cape Town. Both are stellar examples of provocative and impactful work.

The panel touched on some of the issues surrounding brand purpose, with Al Campbell of We Are Social urging brands not to do something with purpose for no reason. Brand purpose has to be, for want of a better word, authentic. Brands like Shell greenwashing just won’t cut it. The rest of the panel were in agreement, with Natalie Graeme (Co-Founder, Uncommon) arguing that brands need to evaluate whether they deserve to exist, and Katrina Dodd (Head of Trends, Contagious) reaffirming that if you’re going to embrace some kind of purpose, it needs to be central to your brand.

AI and Data


Ogilvy Brazil for Forbes

The machines aren’t coming for our jobs just yet. Charlotte Williams led her AI discussion with a pearl of wisdom from Alicia Hatch, CMO of Deliotte Digital – “AI is good at patterns, it’s the job of creatives to connect the dots”. Charlotte called for an end to the paradigm of data vs creativity, urging agencies to recognise that data is not an end but a tool to be utilised. Karen Boswell’s (Head of Innovations at adam&eveDDB and Founder of TwoSpeciesLtd) pick of standout work was Ogilvy’s work for Forbes with Transparency International, an AI-centred campaign raising awareness of corruption.

The panel questioned the future of AI, with Simon Gill (Chief Creative Officer, Isobar) considering the potential for a breakthrough piece of work in VR and AR. He also mentioned the addition of Social & Influencer as a category this year, linking to the largely unexplored territory of virtual influencers (cue audience groans). Katrina closed with a positive note, reminding us that, as with previous technological advances, we’ll find a way to figure things out.

Transparency and Trust

Brands have to show transparency and clarity. What does this actually mean? As Charlotte Williams points out, people trust brands who share their beliefs. This also means brands need to ‘fess up when they mess up. Case in point is that KFC FCK ad. If you’ve been living under a rock this year and haven’t seen it, it’s well worth a look.


Rothco and The Times, JFK Unsilenced

Another stellar campaign was ‘JFK Unsilenced’, winner of the Creative Data Grand Prix. What does this have to do with trust and transparency, you ask? Well, Rothco was tasked with repositioning The Times as a paper that represents many voices. They used existing audio of JFK to recreate a speech he had written which called for America’s leadership to be “guided by the light of learning and reason” and to challenge those who would “confuse rhetoric with reality”. With technology that could now have a huge positive impact on ALS sufferers, The Times’ speech that never happened sits just on the right side of fake news.

Surprise and Delight

Shot on iPhone using Cheetos Vision. Yes, that’s my dog.

Last up, some tips on the work that surprised and delighted the speakers. Jo McCrostie (Head of Creative, Global Radio) champions her medium, noting how “audio is the place you can really afford, as a creative, to be playful”. With that in mind, she picked ‘Break The Taboo’ for Sociedad Argentina de Urologia Buenos Aires by Grey Argentina as a piece that really surprised her. Rectal examinations aren’t often advertised in a non-visual medium, so it’s a great spot if you’re interested in writing for audio and perfecting the ‘twist’ in your script.

Candace Kuss’ (Director of Social Media, H&K Strategies) pick for surprise and delight was Bihor Couture by McCann – a true David and Goliath tale that proves creative work doesn’t need “giant media buy” to be charming an impactful.

Karen Boswell’s pick was “surprising and fun”, reminding the jury not to take themselves too seriously amid all the talk of brand purpose. She chose Cheetos Vision, an AI camera that finds Cheetos snacks in everything it sees. Bonus points for parodying Apple’s ‘Shot on iPhone’.

Panel highlights included ‘Bodyform Blood Normal’ by AMV BBDO (preach!) and Kiwi Shoe Polish’s long copy ad. Ogilvy Chicago’s work, featuring the shoes of greats like Muhammad Ali and Amelia Earheart is a welcome reminder that long copy is not dead. As Katrina points out, our tube journeys would be nothing without all those ads to read (I’m looking at you, Jack Daniels). Long live the written word.

So, there you have it. Brand purpose, AI, data, trust, and some tips for work that will surprise and delight.

Written by @sophielockx 

 

June 25, 2018 - Comments Off on Creative Stories From Cannes

Creative Stories From Cannes

Can you get enough of Cannes? If you can't we've got a jolly good treat lined up for you to keep Cannes going for another few weeks at least.

Creative Social are hosting their annual Cannes round-up and as per usual it's unmissable. It's not till the 18th July so there's still time to get tickets. RIGHT HERE.

The lovely lot from Creative Social have also given us two tickets to give to two lucky emailers. So if you fancy risking it ping an email to holly@youngcreativecouncil.com all we ask is that you take some snaps and give us a write-up to share with the unlucky ones who didn't win or get tickets in time.

Be sure to get in quick cos it's always a sell-out. The only thing we can't guarantee is free-flowing rose wine.

See you there!

 

 

 

 

April 10, 2018 - Comments Off on sensei

sensei

se. xvi

if you squat and squint real well, you'll see that 'puma' is an anagram of 'faux pas', either that or that's the name of their next line of creps that with 78% likelihood will not sell out

SEE

In total effing awe of this emoji art page - damn these yung kids got skills. There’s not much on this earth that will make you as happy as seeing Kendrick’s cheek made of cookies and Eric Andre’s hair recreated with motorbikes and spiders. For more visual animated wonders available OFF the sociomediosphere and in the big L-D-N instead, check out Frances Stark over at the ICA and a screening of her interpretation of Mozart’s famous opera ‘The Magic Flute’. The behind-the-scenes vid of her work makes for worthwhile watching as she explains how obscure art doesn’t alllllways have to be poncey and inaccessible. (But it sure does help).

TOUCH

MORE THRIFT MAKES THE HEART GROW SCHWIFTY. Poplar Union is starting a monthly sewing class and in the process discards all that ‘make-do-and-mend’ preconceptions you had about the needle-and-thread, and shows you that new skills taste just as good as new clothes. Ones you’ve made yourself, obviously, not sold your soul to the high street (and their questionable exploits) for.

 

HEAR

The sweet sound of drums’n’laughter that you’ve been direly missing since all that endless Easter joy came to an abrupt halt last Tuesday. Hideaway in Streatham not only puts on live jazz, soul and funk nights - laying the aural nectar on so thick they could sell it as manuka - they host comedy nights on Fridays too. Getcho giggle on, forget it’s Friday 13th, shed the week’s sorrows, all that jazz. Literally, jazz. Monday nights sees a jazz workshop and jam session for all abilities, so you with the deaf tones can finally make it to deftones (the Def Jam version).

SMELL

Dance but NOT as you’ve known it before. Which is quite possibly you stepping on your own toes feeling like the physical embodiment of awkwardness, being squashed against a club wall wet with the condensation of fifty gurning 19-year-olds, and not being able to get the stink of said late teenagers out of your nostrils. Check out IDENTITY at Shoreditch Town Hall from the 12th - 14th April; contemporary artists will be exploring identity through voguing, hip hop, krump and generally shaking thangs that should be shook.

TASTE

Ever get caught in that weird conveyor belt-esque hole of Facebook videos that are a satisfying medley of relatable meme lols, the best moments from The Thick of It and unending #FOOD? Well you and me both, brother, we’re like pole and line tuna - reeled in af. Anyway I was doing this recently and somehow through the glaze of “I’ve now watched 25 minutes of disembodied hands prepare meals so swiftly it’s superhuman” that had crystallised over my eyeballs, I paid attention to someone telling me what to order at a Korean BBQ. So, naturally, Korean BBQ has now permeated my every waking thought. Which means I bring you GOGI in Edgware Road (WEST!!!), Asadal in Holborn and Dotori in Finsbury Park. Thx FB, for once.

@larabaxter 

March 26, 2018 - Comments Off on sensei

sensei

se. xv

bunny says as bunny does. make sure you don’t confuse your e’s and w’s by making this a Waster weekend, and check out how to keep yourself busy in london with these gems

 

TASTE

Wines curated by the Noble Rot (nobrot, lol) gang, a “lightly seasoned” whole turbot that has instantly become the only thing I can think about and rhuuuuuubarb. Rhubarb is so lit rhubarb needs to have its own Drag Race. This is all from Brat, a new Welsh/Basque mash-up opening on Redchurch Street, with a website that’ll make independent design studios wet their pants and a refreshingly straightforward menu that redefines the entire genre of minimalism. Sort of.

 

SEE

The long weekend means one thing. It means there’s more time to put off going to see exhibitions you’d been meaning to see but was so wrapped up in telling people how much you’d been meaning to see them that you forgot to actually do it. So this fin de semana, fight back against your procrastinatory self who would always choose another pint over leaving the house at 10am to catch some of dat sweet A.R.T. relief and check out expressive paintings from Rose Wylie’s late hubby Roy Oxlade, visceral grime from Pakui Hardware, nocturnal woodcuts from Tom Hammick and a big fat new show from Saatchi Gallery called Known Unknowns.

Roy Oxlade @ Alison Jacques Gallery

Pakui Hardware @ Tenderpixel

 

HEAR
Kkkkk this one’s not in London, fine, you caught me, I secretly believe there is life outside the M25, so what. You xenophobe. Unfortunately, I’m not 100% convinced Palmbomen II’s new alby ‘Memories of Cindy’ matches up to the Dutch wreckhead’s excellent eponymous album, released back in 2015 on Tim Sweeney’s Beats in Space label, but fuk it. I’m young, dumb and ready for some Palmbo-mun. And from your enthused reaction to my poor rhymes, I can tell you are too. ‘Av a trip down to Bristol on 7th April for a pounding live show by the friendly Dutchman, followed by more sonic spasms by electronic duo The Golden Filter.

SMELL

Smells like you, but better. Like your veins upgraded to fibre optic broadband or your name now rhymes with orange. London is lucky to host General Assembly - an organisation that runs short technology courses and workshops on things you know you should really know about, like UI/UX design, data science and Python. Sign up today and get HD ready.

 

TOUCH

You’ve already forgotten about all those art shows I told you to see, haven’t you. I know you too well, sensei pumpkin. Talking of pumpkins, the Turner Prize nominee Anthea Hamilton has teamed up with Jonathan Anderson of Loewe - the home of the sexily-cut handbag - to create a bunch of vegetable-inspired costumes. Yes, really. The commission is called 'The Squash'. The nutritional outfits are proudly worn by performers who will skulk around the area of Tate Britain that’s been transformed into an asylum-esque, white tiled space halfway between Ex Machina and that episode of the Simpsons where Homer falls into 3D-land. I'm getting hungry for aubergine parmigiana just thinking about it.

@larabaxter

March 20, 2018 - Comments Off on sensei

sensei

se. xiv

beast from the east reloaded was like going through puberty for the second time but it’s all sound now folks, huddle up to springtime with some of these LDN ‘appnings

 

SEE

I wouldn’t really consider myself a theatre bunny, and the narrative of the one play I went to see at The Yard theatre in Hackney Wick was about as easy to follow as the Golden Snitch - whilst suffering from cataracts, on foot, in Selfridges’ Christmas department amongst stacks and stacks of gold baubles. BUT, I’m an open-minded person and it’s nearly Easter, so let’s try reinvent that theatre bunny in me. New beginnings n that. Buggy Baby has just two weeks left at The Yard, and features an adult woman playing an eight-month-old baby, which is exactly the sort of premise that should have you booking tickets at lightning speed. Plus, the play has got loads of stars from loads of established publications, so that must mean something.

SMELL

Ever since hanging out on the plant-laden terraced stretch of restaurants outside Westfield White City, I have become mildly obsessed with shrubbery you can sit on. So I’m overjoyed to find the CityTree installed in Piccadilly - a creation of Dresden-based Green City Solutions who are doing some wicked environmental work using modern tech like the Internet of Things. CityTree not only does the pollution-processing work of 275 trees in 1% of the space, is solar-powered AND waters itself, it’s also a comfy place to cotch. Too many times now I’ve said that London needs more benches. And it’s come at just the right time, as New Scientist point out that air pollution can actually destroy the communication systems of plants, which could have devastating effects on entire ecosystems. So pls follow Amsterdam’s example and respect the green.

 

TASTE

Raw yellowfin to the tunes of Peru. Morcilla croquettes that are like biting into the soft soul of a sea urchin. Andina in Soho provides the rhubarb negroni (my seasonal mind is blown) and damn fresh sea bass ceviche worth every penny. There’s a branch in Shoreditch, because everyone has to sell out someday, and they also offer masterclasses so you too can shimmy on down the enlightened Peruvian road. Pissed-co sours, pls.

 

HEAR

After watching some YouTube vids of BADBADNOTGOOD, suspecting there was something gratingly arrogant about them, concluding they were probably just four over-privileged, self-indulgent males, listening to their album III and agreeing with myself, then listening to album IV and Ghostface Killah collab Sour Soul and cutting them some slack, researching them a bit more thoroughly, forgiving their terrible name, considering buying a ticket to their live show in Lithuania in July, and now I’ve happily arrived at the stage where I’m comfortable recommending them to other people. So yeah. Onwards.

TOUCH

Get in touch with your womanly side. Cos everyone knows that’s really in right now. DIY Space for London is a top venue and this weekend (23 - 25th March) they’re running a 3-day even called AWOMENfest. There are collage workshops, live performances, tarot readings, screenings, jazz DJ sets. Mixed bag = YES. Get the full deets here and get yo tix here.


@larabaxter

March 16, 2018 - Comments Off on Because not everyone’s a Friends fan

Because not everyone’s a Friends fan

I grew up in a small Cornish market town.

At school the only subjects I enjoyed (and was any good at) were the creative ones.

Y’kno the subjects other kids did for ‘fun’ or to avoid written exams.

Well art was my thing.

And I had no idea what kind of job it would get me.

To be honest, I don’t think my school did either.

If anything, it seemed like creative jobs didn’t exist... unless you wanted to be an artist or the next Mrs Schooling (my art teacher) ...

...which I did not, (sorry Miss).

BUT

one day, whilst watching Friends.

Season 9, episode 11 to be exact – thanks google.

I was introduced to a world beyond artist, or art teacher.

Chandler Bing had given up his job in whatever he did (who knows) to give copywriting a go.

Cheese – it’s milk that you chew.

And

A grape, because who can get a watermelon in your mouth.

Became my first real-ish insight into the ad-world.

Yeah, I’d seen ads on TV but the idea of advertising being one of those real-life job things – well, this was a first.

A quick google of ‘advertising degree courses’ and fast forward 4 years I’m graduating with a 2:1 in Advertising and Brand Communication from UCA, Farnham.

Fast forward another 8 years and I’m now a copywriter at a global advertising agency.

BUT

I can’t help thinking what if 16 year-old-me hated Friends? – I mean, some people do...

...some very strange people

And what about those 16-year-olds now – they’re not watching Friends.

So how are they meant to find out about the creative industry?

Yeah, we’re spending a lot of time visiting universities, myself included.

We’re talking to students who have already decided advertising is for them – great.

But no one is talking to school kids.

The ones that have absolutely no idea what they want to do.

Who have no idea of the possibilities that exist within the creative industry.

And if they are, I can’t imagine they’re talking to people like 16-year-old-me 254 miles away from London, in a town where creativity is seen as a hobby, not a career.

There’s a lot of talk right now about diversity, and rightly so.

Our industry is still dominated by white, privileged males. Although, I must caveat my art director falls into that category, and he’s f**king brilliant, so this isn’t a man hating exercise at all.

But

How are we meant to create change if we’re still hiring from the same places.

And talking to the same people.

Even the universities we’re visiting are usually the same ones within an hour train journey outside of London.

Why aren’t we casting the net further?

We should be talking to other courses, not just advertising ones.

We should be visiting schools and colleges, and not just ones near our office.

We should be supporting initiatives like D&AD New Blood Shift, Jolt Academy, The Ideas Foundation, A New Direction, Rare London, Creative Equals and The Creative Circle Foundation.

This year we, the YCC, have made it our mission to step outside the bubble that is London and get on the road to speak to students across the country about how incredible the creative industry is, and the opportunities that exist within it.

So far, this year we’ve spoken at universities in Leeds, Lincoln, & Essex.

We’re starting up conversations with schools, colleges and more universities outside of London.

And I’ll be heading back to my old art college in Plymouth and my secondary school in Cornwall, in hope to inspire someone like 16-year-old-me.

Because not everyone’s a Friends fan.

 

 

 

 

 

 

March 6, 2018 - Comments Off on sensei xiii

sensei xiii

se. xiii

how long do you have until your next 'commitment'? until you have to actually be somewhere, and do something? check this with yourself at every free moment you have, it feels like you're growing time

 

TASTE

I really don’t want this section to turn into some sad little diary of all my cuisinal rampages around London like some kind of Evening Standard columnist homage (luv u Grace Dent), but I ate proper good munch this weekend so follow suite. Darjeeling Express in Kingly Court serves up killer Indian food from a kitchen run only by women with no prior experience. The beetroot raita is pinker than lipstick in the rain and they serve strangely random but propa good venison meatballs. Up in Hoxton Square you’ll find the Petit Pois Bistro, which means foie gras with rhubarb, and chocolate mousse that GETS it, all to the soundtrack of The The and Fleetwood Mac.

 

SMELL

Smell always seems to bring bad news. I should do one where it’s more positive. Not this week though, yardies. DEAD STARFISH EVERYWHERE COS OF ALL DAT NUTS SNOW.


SEE
Don’t be a spanner; go listen to Emma Tanner. The third year Central St Martin’s student is putting on a one-woman show (I think it’s about furniture) at a gallery in Dalston that’s really just a flat that’s been converted by someone who clearly meant it when they said they’re gonna “do” East London.

For more cavorting of an artistic nature, check out RA’s Open Saturdays. On the second Saturday of every month the Green Park gallery put on free (FREE! F-R-E-E!!!!) workshops run by artists (ACTUAL ARTISTS) that you can go to and learn stuff from (SKILLS, TRANSFERABLE SKILLS, DO YOU HAVE ANY FUKIN CLUE HOW HARD THEY ARE TO COME BY THESE DAYS!??!?!)

HEAR

‘Black Boy Meets World’ is the debut album of Danny Watts, released last year on Jonwayne’s record label Authors Recording Co. His cathartic rhymes and DGAF production have hypnotised my Spotify fingers into pressing repeat much and often. He made it in a week, what you done?

A couple days back Ms Peggy Gou Gou Gou please take off your Shoe Shoe Shoe released a new EP ‘Once’ on Ninja Tune, catch her on the flip side at Needs x HeForShe at Oval Space this Sunday. Aside from featuring performances from B Traits and everyone’s favourite Smack City graduate, Jackmaster, the event will host panel discussions from music industry playaz, tackling the hottest topic since Scotch bonnets had the mic - gender inequality.

TOUCH

Someone high up at Nokia must be on a LOT of shrooms right now, because they really believe we’re gonna ditch our beloved Apple touch-screens for them. Their 2017 reboot of the iconic 3310 was pretty pathetic, evident from one of the THREE WHOLE selling points being “you can play Snake” (I mean fair do’s tbh but not the point). Anyway, NOW the Finnish phone company is bringing back the 8110 ‘Matrix phone’, and it’s all 90s nostalgia and special springing mechanisms, and all this hype about it having 5G, and TechRadar acting like this article is somehow necessary. Guys. C’mon. It looks like a fucking banana boat.

@larabaxter 

February 27, 2018 - Comments Off on sensei xii

sensei xii

se. xii

for when it's so cold even the central line is subzero

 

TOUCH

OOF, can’t believe the exclamation “oof!”, usually paired with splitting open a perfectly cooked soft boiled egg or in response to Orla dropping Auden, has now moved to pastures greener than my juvenile use of language, taking its place as the title of a new publication that is all about the relationship between art and football. Yes, they have a relationship, and it’s an extremely fruitful one, thank you. This new biannual mag is produced by Time Out’s art editor Eddy Frankel (a.k.a. Man with best prof pic on Twitter), and the first issue features big-time artists Rose Wylie (senior citizen of the moment) and Chris Ofili. At the end of the day, it’s something for the shelves of Wardour Street News that isn’t yet another £17 glossy that looks suspiciously similar to Dazed & Confused and also EVERY OTHER GLOSSY ON THE RACK, with content bound 2 be original considering its unlikely pairing of subjects.

 

SEE

Besides the Big Important Shows you should go to see like Barbican’s Another Kind of Life, Tate Britain’s All Too Human and - if you’ve not been yet - the Hayward’s re-opening with Andreas Gursky, make sure you give a little love to some smaller fry. Totally Different Animals at Arcadia Missa, the epic Marvin Gaye Chetwynd at Sadie Coles HQ, Luke Burton at Bosse & Baum, I Had The Landscape In My Arms at Josh Lilley and the enigmatic Rose Salane at Carlos/Ishikawa all are very worth your small-gallery-hopping while.

 

SMELL

Smells like tenuous and weakly creative advertising but I’m also not too sure because the pre-whiff of whisky has impaired me slightly. Glenmorangie Spìos is opening a pop-up bar called Spice & Rye in Fitzrovia from 20th - 24th March, it looks like every dim’n’grotty basement bar in the area and, true to ***experiential form***,  it's complete with art deco-style decor and jazz band. It’s a brand literally getting you drunk so you buy their products, out of respect you should go.

 

TASTE

An important precaution to take in this shit weather (or any weather in fact, cos this universe revolves around YOU gurl, not some fickle-minded meteorological phenomena) is to not forget about tending to your teatime taste buds. You want those buds to BLOOM, bitch, and nobody’s gon water them but you. Ditch the predictable selfies at Sketch and head to Cannizaro Park in Wimbledon for afternoon tea at Hotel du Vin and an unnecessary stroll through the foliage, it is worth the trek. If you find yourself oft crying out for crafts (and staying in Central), check out DrinkShopDo, where you can do stuff like bookbinding and clay modelling to make yourself feel like you’re at summer camp aged 9. Or, cinnamon rolls at Mughead Coffee in New Cross are bang, a lang, a langing.

HEAR

Nicolas Jaar gotta be the most sneaky bastard in the game. You might think he hibernates like a bear in a Christmas ad but he’s out there under multiple aliases releasing music L, R and C like he’s some kind of Russian spy child spawned by Nina Kraviz. 2012 - 2017 is his new album, released a couple of weeks back under one of these undercover virtuoso alter egos - A.A.L (Against All Logic). It’s bouncin, and was put out by his label, Other People, which features more treats you should chekkkkkk a$ap.

@larabaxter 

February 20, 2018 - Comments Off on sensei xi

sensei xi

se. xi
we should all view Frances Mcdormand @ the Baftas as our guiding north star this week, and have just a little bit more trouble with being 'compliant'

 

HEAR

If your ears haven’t feasted on the group album assembled by XL Recordings’ top dog Richard Russell then consider this section AURAL TASTE. Everything Is Recorded is sprawling and cathartic, perhaps thanks to the croons of Sampha, whose voice makes you think he’s the kinda guy who would forgive your wrongs. Wa-hack the record on during your commute home; your tired Londonified grey pallor will not protest.

Meanwhile in Dalston, experimental and avant-garde music venue Cafe Oto is hosting a night next Monday featuring artists from Turkey and Iran, with music inspired by Persian, Indian and Arabic music traditions. The teasers growl with soul and the tanbur, tembur and santur will all be played. I know you don’t know what those are so make sure you go and find the fuk out.

TOUCH

Touch upon the issues of today in a way that goes against the grain. Last week’s Short of the Week, the 10-minute documentary Guns Found Here (director David Freid) is a gr8 example of something that does exactly that. By maintaining the grave consequences of US gun ownership - i.e. everyone getting fucking KILLED - but approaching the topic from a largely unexamined angle in the form of a certain firearm-related bureaucratic nightmare, the call for tighter gun controls is made in a non-hostile, non-“activist” way, which I rate. That sounds like a douchey thing to say, but I stand by it because the film exhibits the kind of imaginative argument-making that could actually ignite change, and convince the staunch’n’stupid NRA groupies.


SMELL

Nostalgia wrapped up in reverb. Frank says go to church and you will feel like Frank feels. Did someone say tulips. Did someone say fuchsia. Did someone say sorbet.

SEE

Oooh here is a full-on fancy to see this week, pals. Creative director cum fashion designer cum DJ (if your job title doesn’t span three industries then R U even living in the twenty-first century m8?) Virgil Abloh, also known as that dude who made those sick Nikes, has teamed up with (remember when we didn’t use the phrase ‘collaboration’ in every other sentence?) contemporary artist Takashi Murakami, also known as that dude who made that sick Kanye West album cover. Making up perhaps the most raging postmodernist duo of all time, they’re exhibiting works at the Gagosian Gallery in Davies Street from Wednesday. Expect nu-wave frantic visuals and thirteen-year-olds who dress better than you.

TASTE

When in doubt, Peckham. Check out Coal Rooms, which is housed in the station’s former ticket office. Grade II listed, fam. I like the website URL because it looks like “Coal Room Speckham”, and I’m imagining something that is halfway between a chicken coup that smells like incense and and old man in a burgundy leather armchair with an inch-thick monocle on. Don’t know where that came from, might be the whole roasted cauliflower and ox cheek talking. Yeah. You ‘erd.

@larabaxter